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PRESS RELEASE – FRIDAY, 11 SEPTEMBER 2026

EMIKA announces Fountain Immersive

The immersive sequel to Fountain arrives 30 October 2026. Release listening parties from 26 October. Planetarium tour from January 2027.

Emika Records today announces Fountain Immersive – the immersive follow-up to Fountain (March 2026) and the destination of the crowdfunding campaign How To Make Music Immersive.

Fountain was the blueprint: intimate piano and synth songs, handmade and hand-played, written from the personal life of an artist who lost her mother. Fountain Immersive takes that same body of songs and opens it in space. Every sound was composed, recorded and mixed in Emika’s self-built immersive studio in the Black Forest – for Dolby Atmos, Spatial Audio, and the dome. It was written for the format from day one. It is not a remix of Fountain. It is the immersive sequel to show how you make music immersive.

Enter a hand-built world of sound and story. Fountain Immersive is immersive singer-songwriting at its most personal: deep electronica, orchestral colour, voice and spatial sound design, performed live by Emika. Planetarium shows are lifted by custom-mapped visual landscapes from acclaimed visual artist László Zsolt Bordos.

Orchestra, choir and Bernat Vivancos

Additional string orchestra and choir were recorded at Czech TV studios in Prague. Emika collaborated with Catalan composer Bernat Vivancos (Barcelona, 1973), who scored string orchestra and choir for two of the immersive tracks.

Vivancos is one of the distinctive contemporary voices in European sacred and choral music. He came to wider international attention through his choral arrangement for Rosalía (Me quedo contigo, 2019 Goya Awards) and later work for Jennifer Lopez (Limitless). Emika found him through the Rosalía recording and asked him to help realise ideas of ascension in the new songs – a rare meeting of electronic, classical and sacred sound.

How we got here

Since 2019 Emika has been at the forefront of immersive live music. If We Disappear sold out multiple nights in planetariums in Berlin, Moscow, Hamburg, Prague, Krakow and Münster, and was praised by DJ Mag, Uncut and BE-AT.TV. In 2025 she began collaborating with Genelec and Dolby Laboratories Inc. to rebuild her studio in the Black Forest as a fully immersive 7.1.4 room. That followed a successful Kickstarter in which 293 backers pledged €24,843 to create the studio, the album Fountain, and the live show.

Fountain Immersive is what the studio was built for. The fountain metaphor frames the compositions and the lyrics: reflection, refraction, diffraction, light dispersion. Away from the shallow comfort of digital patterns, into a world of lasting natural beauty, visually and in the new songs. Inspired by the passing of her mother, who was also an artist and taught Emika from a young age how to turn pain into beauty.

Release and tour

The album is released on Friday 30 October 2026, digitally in stereo and Dolby Atmos / Spatial Audio.

From 26 to 28 October, release listening parties in London, Berlin and Munich offer the first public encounters with the immersive version – four days before the global release. Rottweil follows on 6 November as a listening party / cinema concert, in the town where the studio stands.

The Fountain Immersive Live Tour in planetariums opens on 22 January 2027 in Bochum, then Münster, Hamburg, Lucerne, Stuttgart, Berlin, Prague and Jena.

Partners

Kawai, Earthworks Audio, Dolby Atmos, Genelec, Immersive Audio Network, Emika Records

Brand new Emika LP ‘Fountain’ 

Part of the Kickstarter campaign ´´How To Make Music Immersive„

Intimate lyrical songs with piano and synths, the blueprint for a follow-up immersive album in Q4 2026. 

Moody Electronic heavier songs in between the piano. 

For listeners who are tired of presets. 

Handmade, hand-played, honest-craft, 40 year old grown-up Emika. A mother of two, who lost her mother in 2025. 

Grief as a train on the way to the station of understanding love. A record written about the artist’s personal life (Not a genre sound). 

If you like number drawings, you can draw on the artwork.

credits

released March 27, 2026

EMKLP10
Music Written & Composed by Emika
Recorded & Mixed by Peter Ettwein / Emika Records Studio
Tracks 4, 7, 9
Recorded & Mixed by Emika / Emika Records Studio
Mastering by Hue Jah Fink / Binary Feedback
Artwork & Design by Tim Stapley


C&P 2025 Emika Records

Distributed by SRD
license
all rights reserved

About Me

“I hope she becomes very famous.” – Thom Yorke
“She is sonically out of this world.” – The Weeknd
“Diamond hard production and a Symphonic level of detail in sound that leads to new discoveries on every listen.” – Robert Ames (London Contemporary Orchestra)
“Emika’s effortless performances… sound just as good, if not even better, on stage than they do on record.” – DJ Mag
“She’s already worlds apart, worth praising to the skies.” – Classic Pop Mag

 

Emika has her own sound and is following her own path. Since the turn of the decade she has been producing electronic and neo classical music, combining her skills as a sound designer, classically trained composer, and prolific singer-singer writer, she has released 8 critically acclaimed albums to date and works independently running her own label, Emika Records.

Born in Milton Keynes, England, with a British father and Czech mother, she started making music using a 4-track cassette recorder as a young teen, combining classical piano, electronics through sampling techniques, getting her first job at her friend’s local recording studio. She later went on to study Creative Music Technology at Bath Spa University to learn the art of record production, while living in Bristol and discovering the city’s early bass music scene which would later evolve to become the now world-famous Dubstep movement.

As a postgraduate student she moved overseas to Berlin to work as a Sound Designer at one of the leading global music tech companies Native Instruments, developing products for producers and DJs alike. She collaborated with internationally known club Berghain, to record a library of field-recordings inside the club which were then used for their 5 year anniversary release ‘Fünf’ (2010).

She signed her first two albums ‘Emika’ (2011) and ‘Dva’ (2013) to UK indie label Ninjatune which both received critical acclaim in the music media and personal support from BBC Radio 1’s Mary Anne Hobbs and Thom Yorke who played her music said on his BBC 6 Music programme, in 2012 saying, ‘I hope she becomes very famous’. Her bass-heavy, edgy songs with her mix of piano and sultry breathy voice, had now become her trademark.

In 2015 Emika established her own imprint Emika Records and continues to develop her work in electronic and classical music, embracing the creative freedom which came with such a venture and using this to push new classical music forwards and experiment with the blueprint of being a Berlin DJ. Some of her solo piano works from her album ‘Klavirni’ (2015) have been streamed more than 17 million times on Spotify.

She developed a strong connection to her fans via her social media platforms and live performances and through their support her first full symphony ‘Melanfonie’ (2017) was crowdfunded via Kickstarter where she received €25,000 from fans in a 3 month period. She was able to hire the City Of Prague’s 50-piece Philharmonic Orchestra and explore her Eastern Europe roots as inspiration for the piece.

As a performer Emika takes to the stage with her piano, synths, voice and tech set up similar to her music studio. Since 2019 she has been focusing on developing her show into an immersive live experience with 360 degree dome visuals. Her show ‘If We Disappear’ has sold out multiple nights in some of the biggest planetariums in Berlin, Moscow, Hamburg, Prague, Krakow, Münster. The show received great reviews from DJ Mag, Uncut, and BE-AT.TV. Previously she has toured coast-to-coast across the USA, China, Russia, Mexico, and Europe multiple times, performing at major music festivals such as Glastonbury (2016), Atlas Weekend (2019), and she was invited twice to perform at David Lynch’s club Silencio in Paris.

Emika has been remixed by Marcel Dettmann, Brand Brauer Frick, Pinch, Rebekah, and has made remixes herself for St Vincent, Nina Kraviz, Len Faki, Amon Tobin and Fink. She has collaborated with Hank Shocklee from Public Enemy who executive produced her album ‘Dva’, and The Exaltics who co-produced her album ‘Falling In Love With Sadness’. Her music and voice from her song ‘Professional Loving’ were sampled by The Weeknd on his song ‘Professional’, which was performed live on Jimmy Kimmel (2013).

Her music has been featured in films such as Spielmacher (2018), Bad Banks (ZDF, 2018), and the film trailer for Mission Impossible 4 as well as USA hit TV series The Blacklist (NBC, 2013) and How To Get Away With Murder (ABC, 2016) including a feature on the popular game Wipeout from Playstation. She has received chart success with her icy electronic cover of Chris Isaak’s Wicked Game which reached No.2 in the USA iTunes charts and No.1 in Canada (2013).

After the end of the pandemic in early 2022, she left Berlin after being a core member of it’s electronic music scene for 15 years and relocated with her young family near Schwarzwald (The Black Forest) in South Germany. She has built her own music studio and Emika Records label office surrounded by trees, and is currently working on a new symphony, creating a film for planetariums world-wide in Dolby Atmos, and music for the film Another End by Piero Messina, starring Gael Garcia Bernal (Berlinale Film Festival main competition 2024).

2024 – Emika – Vega (Emika Records)

2024 – Emika – Haze (Emika Records)

2021 – Emika & Paul Frick – In Parallel (Emika Records)

2020 – Emika – Klavirni Temna (Emika Records)

2020 – Emika – Chaos Star(Emika Records)

2018 – Emika – Falling In Love With Sadness (Emika Records)

2017 – Emika – Melanfonie Instrumental (Emika Records)

2017 – Emika – DREI Instrumentals & A Cappellas (Emika Records)

2016 – Emika – Dilo Variations (Emika Records)

2016 – Emika – Melanfonie  (Emika Records)

2016 – Emika – Melanfonie Momente (Emika Records)

2016 – Emika – Forever Never (Emika Records)

2016 – Emika – Flashbacks (Emika Records) 2015 – Emika – DREI (Emika Records)

2014 – Emika ‎– Klavirni (Emika Records)

2014 – Emika ‎– Melancholia Euphoria (Emika Records)

2013 – Emika ‎– DVA (Ninja Tune)

2013 – Emika ‎– Centuries (Ninja Tune

2013 – Emika ‎– Searching (Ninja Tune)

2012 – Emika ‎– Chemical Fever (Ninja Tune)

2012 – Emika ‎– 3 Hours (Ninja Tune)

2011 – Emika – Emika (Ninja Tune)

2011 – Kryptic Minds Vs Emika – Make You Sleep (Black Box)

2011 – Paul Frick Feat. Emika – I Mean (Doppelschall)

2011 – Count Backwards (Ninja Tune)

2010 – Cooling Room (Ostgut Ton)

2010 – Pinch & Emika – 2012 (Tectonic)

2010 – Double Edge (Ninja Tune)

2010 – Drop The Other (Ninja Tune)

2009 – My My & Emika – Price Tag EP (Aus Music)

FILM


Another End
Spielmacher
The Fifth Estate
Mc Larren Nurburgring Short Film
Sighting
Qui Vive
Buckout Road

 

TRAILER


Mission Impossible 4: Ghost Protocol
Utopia
MSN Visualiser
Image Trailer for Eisenberg Computer Software
Utopia

 

TV

American Horror Story
Sleeping Dogs
The Blacklist
Homeland (Channel 4)
Olympics 2012 Sports Videos
BBC Our World War
MTV Iggi Live: Emika
Jimmy Kimmel Live: The Weeknd performs music using ‚Emika’s – Professional‘ song
L’Ora
Tartort
Beauty And The Beast
Ringer
The Killing
Lost Girl
Utopia
Akward
NBA Rising Star Challenge
Top Boy 2
Covert Affairs
Love Island
Killjoys
Eye Candy

 

GAME


GTA V
Gran Turismo 5
Playstation Vita Promo
Wipeout Omega

 

FASHION


Hugo Boss – Top Tracks
Puma Pendrive

Contact

For all inquirys please send an Email to: label@emikarecords.com

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C&P Emika Records 2022